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enter a weird dream
by: Dave Cromwell - December 9, 2011

Aleksa Palladino and Devon Church make dreamy rock music under the heading EXITMUSIC. The band’s impressive live shows have been garnering much-deserved attention for the Brooklyn-based married couple. On stage, Aleksa commands attention as the band’s lead vocalist. She also alternates between playing guitar and keyboards. Devon stands tall as the primary guitarist, and shifts effortlessly between providing power chords, quick riffs or melody lines and even employs at violin bow on the strings at one point. This fall, the finely crafted recorded works EXITMUSIC have been meticulously constructing will be released as their debut album "From Silence."

Devon came to New York by way of Winnipeg, Canada, while Aleksa grew up in the city. In addition to the music she has always made, Aleksa has an extensive acting career, and is currently featured in the HBO drama "Boardwalk Empire." "I don't think you can decide where your creativity comes from," Aleksa says. "I feel that there is a place that I write from, a place that needs to be revealed. And this is the mood and the tone of that place," she continues. "People often say our music is 'dark', and there's truth to that, but I don't feel like we're 'dark' people or even that our music is all that dark," adds Devon. "We're just trying to express our experience of life as honestly and as compellingly as we can. Sometimes I get creeped out by how 'happy and upbeat' most music is. We are in the middle of 3 or 4 wars and a mass extinction, after all. After a point, this obsession with pop (especially in the indie world) begins to seem kind of insane."

Much of an EXITMUSIC show has a solemn quality. The vocals are frequently presented like someone almost going into a trance, of someone losing themselves in the moment. "The feeling of being on stage is a really hard to remember clearly afterwards," explains Aleksa. "It's almost like you have to find the spot where you can lose yourself in the moment while still being totally aware of where you are in time. I'm not in a trance, I'm just singing the words as weighted as I feel them," she concludes.

The band’s live show also presents some interesting guitar interplay. While Devon tends to play the longer, extended melodic notes (sometimes with slide) Aleksa will execute bursts of quick, forceful strumming that create a fuller sonic wash. "For me, I try to combine rhythmic and melodic elements in my guitar parts, so I'll play chords that incorporate a traveling counter-melody that supports what Aleksa's playing or singing," says Devon. "I think of myself more as a rhythm guitarist than a lead guitarist, though I do play some ‘leads.’ But I almost never strum the guitar - just a few times during the set. Mostly I play arpeggios or deconstructed chords."

"It's a language that I keep developing… it's like a cast of characters or a palate of colors, each with something to say," adds Aleksa. "I often play melodies by picking one string really fast, like a mandolin. I think this tremolo style - those explosions are just as emotional as the human voice. And I use those parts to sing with my guitar, and to disrupt the certainty of measured time."

On one of the songs in their live show, Devon used a violin bow across his guitar strings, creating a unique sonic tone and effect. "I used to play a lot with an e-bow, but I wanted something more expressive, and more guttural sounding," he offers by way of explanation. "I like the deep moaning sound that you can produce by dragging the bow over the low strings of the guitar. You risk a lot of dissonance and feedback playing with a bow and a lot of reverb and distortion, so the intent is ultimately to wrest something beautiful out of what could potentially be kind of ugly. The influence for me is more Sigur Ros than Jimmy Page, but I also think of the violin bits in early Velvet Underground," he concludes.

The duo self-directed their video for "The Sea" using footage from Andrei Tarkovsky’s 1975 film “The Mirror.” "We'd seen a lot of Tarkovsky's films, and when [Secretly Canadian label chief] Chris Swanson suggested we try cutting an existing film into a music video, we thought of him. But we hadn't yet seen ‘The Mirror,’" says Devon. "When we did a google image search for 'Tarkovsky' this stark, beautiful image of a sort-of deranged looking woman standing over a basin of water came up. Then there was another image of a woman levitating and a man standing reverently beside her. They were both from ‘The Mirror.’ We youtubed some montages of the film, and it was just incredibly rich with imagery. Especially the wind stuff is amazing. In a way, Tarkovsky's wind is serving the function that the sea, the water, does in our song. His images, together with the stock footage of war and revolution that he used in his film, create this incredibly menacing, dream-like, apocalyptic feeling that seemed to fit perfectly with the music."

In a similarly cinematic vein, the band's name is a reference to the music one hears as the credits roll at the end of a film. "Everyone always mentions Radiohead, but that's not where we got the name from," states Aleksa. "Exit music is the name for the last piece of music to be played in a film…the song that ushers people out of the theatre… the last piece of that 'world' they take with them. That's what we heard when we played our songs back," she continues. "Music that suggests a transition from world to another. My grandpa, Tony Palladino, is a graphic designer and has always had a unique way of making letters and words speak for themselves (he designed the lettering for PSYCHO). Anyway, he took out the space between exit and music… it fortified the whole concept. EXITMUSIC."


" After a point, this obsession with pop (especially in the indie world) begins to seem kind of insane. "

"self-titled EP"

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what it is

Intense and dreamy female fronted indie rock for those who like Cranes, Mazzy Star, 4AD records from the 80s.