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| Josh Mease |
| impossibly infectious |
| by
Toney Palumbo |
Brooklyn-based singer-songwriter Josh Mease is a bit of an
explorer. Originally hailing from Houston, Mease recorded his debut LP, “Wilderness,”
in sessions that took him from Texas to Connecticut and back to his own bedroom
a stone’s throw from the BQE. The most fruitful wanderings of his, however,
take place within the confines of his imagination—the lush sonic dreamscapes
of “Wilderness” recall, at times, the music of mid-century animated
Disney films the elegant “Eleanor” in particular sounds like it
wouldn’t be out of place in Alice’s wonderland, sung by a chorus
of harmonizing flora.
“White Diamonds,” the album’s first single,
is an impossibly infectious tune a delightful video for the song, as well as
a clip for “Eleanor,” can be found online at his MySpace page or
on Youtube. From the lovely opener “You Found Me” and laid-back
“Days Like This” through the towering, ambient “Tall Trees,”
“Wilderness” is a gorgeously breathtaking first record. The Deli
caught Mease with his head out of the clouds long enough to discuss the creative
process.
First off, who would you cite as being your major influences?
I would say The Beatles, old country music, Randy Newman, Bollywood,
Ravel/Debussy, jazz, random 80's Music. As far as nonmusical influences, I would
say Michel Gondry, Wes Anderson, Stanley Kubrick.
"Wilderness" was recorded in several different
places…how does Texas compare to Brooklyn? Do you find that different
locations draw different types of creativity out of you?
Everything in Texas is big, open, air conditioned, and everyone
has a car. The pace is slower and more comfortable down there, and I think it's
hard not to be influenced by that. That's not to say I don't appreciate the
stimulating effect Brooklyn has on my music. I love writing and recording in
different places because it keeps things fresh. The songwriting / recording
routine can get pretty stale for me if I don't change everything up from time
to time.
How much of a role have you played in the nonmusical presentation of
your work, i.e. the videos for "White Diamonds" and "Eleanor"?
I usually have clear images in my mind when I write a song,
and I tend to be a pretty visual person - so I try to help out as much as I
can with the direction and ideas for my videos. I don't really do anything as
far as the technical side is concerned. My girlfriend did most of the work on
both "White Diamonds" and "Eleanor". It's cool to have someone
to collaborate with who has such a strong visual sense, and who also knows my
taste so well.
How would you describe the significance of the title
"Wilderness"?
"Wilderness", for me, evokes images of wandering
around out in some remote, mysterious place by yourself - not knowing what you
might happen upon. The whole recording process felt a little like bushwhacking
through the wilderness. I did lots of recording alone in my little apartment.
At times I felt lost and out of my depth.
What's your recording process generally like? Have you discovered a
preferred method, or do you enjoy the freedom of employing different approaches?
The process keeps changing as I learn more and more about what
works best for me. For "Wilderness" I started many of the tracks at
a nice studio down in Denton, TX called Echolab. I then brought the tracks back
to Brooklyn and finished them off at home or at friend's small studios. A few
of the tracks were done completely at home in my way-too-hot bedroom closet
during the summer. I built most of the songs from the ground up, starting with
bass and drums - usually adding vocals last. For the next one, I'd definitely
like to do vocals/guitar first and go from there. I'd also like to track mostly
on tape in the future.
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"The songwriting / recording routine can get pretty stale for me if I don't change everything up from time to time."
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| what
it is |
3. imaginative, melodic pop, with an emphasis on ambience and harmony for those who like: The Beatles, Debussy, dreams
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