The New Queen of Quirk
Molly
Marlette doesn’t reinvent the diary-turned-lyrics wheel on her debut EP The Allumette; her wheel is just more
interesting. From the first few bars of
the opening track, “Sleep Must Heal the Heart,” it’s clear that this isn’t
going to be another girl and her piano therapy session. Marlette, 20, is a true lyricist, miles beyond
the trite, predictable rhymes of the average singer/songwriter. Instead of forcing her lyrics upon us, her delicate
delivery quietly calls the listener to lean in closer. Marlette doesn’t list Nellie McKay as one of
her influences but she does list Red Hot Chili Peppers, which is tantamount to
Oasis listing Mandy Moore as an influence but asking “Who are these Beatles you
speak of?” Marlette even replicates the
breathy panting of McKay’s “The Dog Song” on her own “Constantly.” The main difference between the two artists
is that while McKay sounds like she is addressing the audience, The Allumette is more of a bedroom
confessional. On “Sleep Must Heal the Heart” and the title track, “The
Allumette” (an allumette is a matchstick), Marlette sounds like she is
whispering to her sleeping lover beside her. The effect is intimate, vulnerable and devastatingly beautiful. Fans of those singer/songwriters who have the
breadth to smoothly blend quirky and quiet (Nellie McKay, Jill Sobule) are sure
to embrace Molly Marlette and The
Allumette. With that much talent,
she’ll probably even capture some Red Hot Chili Pepper fans.
-Jamey Bresden


Back to Blog Home
Comments