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The Deli's Guide to Next Big Nashville: Day Two

NBNWow, last night was awesome. Next Big Nashville is officially underway, and last night’s venue hopping blew away my expectations. It’s not over yet though. It’s time for round two tonight. So let's not waste anymore time. Here is the list of suggested shows for tonight, Friday the 12th:

For those of you with an early bedtime, there are several shows at 8:00 pm that will be worth your time and money. First up is Kindercastle at the Cannery Ballroom and Reid and Wright at the Exit/In. The ELO influenced pop gems from Kindercastle will be a great choice for those wanting something a little more lighthearted, whereas the experimental noise rock of Reid and Wright is probably better suited for the more musically adventurous.

The Exit/In and Cannery Ballroom battle it out again at 9:00 pm with two more great artists. At Cannery, Courtney Tidwell’s slightly psychedelic folk rock will put you in a pensive mood while you finish your second drink in a continued quieter atmosphere, while The Royal Bangs loud garage rock will probably rock the foundations of the Exit/In.

Wherever you are, make sure you don’t miss the cosmic electronic pop of The Magic Wands at the Cannery Ballroom at 9:45. If you can’t make it over there in time then make sure to check out the new wave style of Waves on Waves at The Rutledge at 10:15. Both will definitely be worth your time.

Hit up the Exit/In one more time for the rest of Infinity Cat’s showcase picking up with Cake Bake Betty at 10:30. Stick around until 11:15 to catch the youthful punk powerhouse that is MEEMAW and the probable riot that will ensue once JEFF The Brotherhood takes the stage at midnight. If you’re looking for something a little more laid back then you could always head to the Mercy Lounge for the smooth R&B jams from Space Capone at 11:45.

Finally, if you’re still conscious, wrap up the night at City Hall with the sweet and funky tunes from The Dynamites at 12:30 am.Phew. Another long night. There are lots of conflicting shows this time around, so just remember the words of that old knight in The Last Crusade: You must choose, but choose wisely. It applies, right? Have fun and be safe. See you there! –Madison Conger

Published on Fri, 12 Sep 2008 13:44:29 1682 Comments | Post a Comment


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Which of These Local Acts Should Be Our Next Nashville Artist of the Month?

Protomen
"Act II: The Father Of Death"
 
mp3!!


Act II: The Father of Death, the second installment of Protomen's unfolding epic, brings the story to a dark, yet hopeful place. Protagonist, Dr. Tom Light, wrongfully blamed, accused and subsequently banished for the murder of his love, serves as the political impetus for his rival's, Dr. Wily, calculated march towards global, or at least civic, domination. As the saga progresses, the tragic hero is left with both the guilt of innocent life lost and the subsequent charge to take up the messianic-mantle on behalf the fallen and his beloved city.
Musically, the album is anthemic, dire and aggressive; all things rock-opera. Protomen succeed in creating an aural quality which enhances each scene through an all-out-nailing of traditional rock conventions. “The Hounds” features a guitar and drums combination which conjure up a strong sense of motion, almost chasing, thus symbolically aiding Dr. Light as he flees the scene of a murder. More subtly, “How the World Fell Under Darkness,” chronicling Dr. Wily's transition of his city from one of human cultivation to one of mechanical rule, instrumentally transitions from acoustic, earthy strings to one of computerized synths.
One of the more poetic moments on the record is the way in which death is symbolized; a glorious choir of unrepentantly positive voices proclaiming “there will be light” ultimately cut short mid-proclamation; martyrdom in the face of unrelenting tyranny.
Act II features an interesting play between height and depth. The height of a tower, the depth of a plunge, and the distance of Dr. Light's banishment give a geographical presence to the fictional city in the story, but also mimic the emotional extremes of the characters as they embrace cathartic motorcycle rides or look into the face of something created, broken and spoiled. Like any second act worth its salt, The Father of Death leaves the listener eager for resolution; or, at least the next chapter. Make sure to follow along in your booklets! - Trevor Nyman - website

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