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Live Show Review: Her Space Holiday, City Light, Boy In Static, Hanni el Khatib

Bottom of the Hill. Wednesday, May 6th 2009

The tiny stage had so many instruments it looked like every band was going to play at the same time. But Hanni el Khatib stepped up first, armed with only a guitar and a drummer, and proceeded to tear it up for half an hour. This guy's music drives. The set moved relentlessly onward, pushing the audience through indie rock, noise, punk, early 60's pop, and almost folk. Plus, Hanni really likes the word fuck, which is a word I am fond of as well.

Boy in Static

Boy in Static went up next. Kenji Ross (the man behind the beats) lives in Boston and could not make it out for the show, so Alexander Chen took to the stage with his fiance Brindalyn Webster on flute and glockenspiel. Yeah, glockenspiel. The set was a tour through their new album "Candy Cigarette," and Alex said at least one thing about each song. The music is somehow both playful and melancholy, as if they know something depressing but manage to be optimistic anyway. Alex handled most of the music making, which consisted of programmed beats, vocals, and viola. Despite having played viola since elementary school, Alex uses it primarily to make subtle additions to the texture of the music. The vocals were similarly tasteful, always kindly catching our attention, never demanding it. Except when he does that crazy awesome vibrato. How does he do that?

The second song they played has a super fat beat over which Alex sings "L.A. runaways, call your homes tonight." The album has songs called "Young San Francisco," "L.A Runaways," "Tijuana," "Osaka," and "Starlet" which Alex said is sort of about New Jersey. I guess he likes to sing about locations? It must be working, because I found it really easy to get lost in the music (in a good way).

The highlight of the show came at the end of their set, when on came Levi Parker, Brindalyn's 6-year old nephew and star of Boy in Static's awesome music video for "Young San Francisco." For a moment he looked intimidated. Then all of a sudden he started dancing like there was no tomorrow, much to the crowd's delight.

City Light

Matthew Shaw (guitar, bass, vocals) and Nick Andre (keyboards, beats, backing vocals) represented City Light, a band that combines alternative rock with synths and programmed beats. It was an interesting sequel to Boy in Static, with similar dashes of electronica in a totally different context. Most of the songs were about the same tempo and feel, so near the end of their set I was anxious for something new, which I got when Marc Bianchi of Her Space Holiday came on to sing with them.

Her Space Holiday

Headliner Marc was joined by a bassist plus Matt and Nick from City Light to play the Her Space Holiday set. Wearing Buddy Holly glasses and covered in tattoos, Marc came onstage, chugged from a handle of Jameson and announced "I'm a little drunk." I thought, "This is going to be awesome." And it is was. His brand of indie pop translates into a fun, rocking show. Someone could have told me my car had been towed and I wouldn't have minded because those songs just felt good. "Let's hear it for self destruction," said Marc as he took another swig of Jameson.

-Michael Bang

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Judgement Day
"Out of the Abyss"

mp3!!

“String Metal” is the term used to describe the unique sound of the Oakland-based band Judgement Day. The band is a trio made up of two brothers—one on violin and the other on cello—and a friend on drums. As they clarify on their first CD, their band has no guitars, yet sounds like the most hardcore heavy metal you have heard in a long time.
Their new 7” of live recordings titled Out of the Abyss: Live on Tape serves as a teaser for their upcoming sophomore release titled Peacocks/Pink Monsters. The first song of the 7” is a live version from their first full length album Dark Opus. A head-thrashing but also beautifully composed piece, it entices listeners with Judgement Day’s unique sound.
The band is made up of Lewis and Anton Patzner, Lewis being the younger of the two. Lewis graduated from the Peabody Conservatory of Music in Baltimore last year. Many may recognize Anton as the violinist for Bright Eyes, as well as fellow Saddle Creek electronica band The Faint. The Patzners were apparently spotted playing music on the street in front of the Great American Music Hall in SF by members of Saddle Creek punk rock band Cursive before their show in ‘04, which lead to these opportunities. When back with the band, the Patzners and their drummer, Jon Bush, toured with such indie favorites as Mates of State as well.
The second song on their new release features just Lewis on cello, in a song titled “Etude”, which is the French word meaning study, and refers to an instrumental musical composition, one that is very difficult and meant to be as practice material for improving a certain skill. Considering the band’s past with intellectual intensity, or what you could also call witty playfulness (such as the last track on Opus in which a Choir to sings some of the Book of Revelations in Latin—which Anton translated himself—with an incredibly melodramatic affect) this title seems only fitting, The song does seem as if it could be grueling to play, but sounds gorgeous.
And the last “Bonus” track gives a more clear hint as to what we should expect of their release later this year—the beginning sounds more dance-ready and wild then their typical dark material. But never fear—the dark depths to which Judgement Day always reaches is still there in this almost ten minute head-banger.
Considering that the band started off on the streets of Telegraph and San Francisco, and are talented enough to now be touring the world, you definitely want to take a minute to check these guys out. Or, if you are into zombies, at least watch their new video for their song “Out of the Abyss” where Anton is adorned in eye-liner and zombies get down to the sounds of this string metal trio. - website - Shauna C. Keddy

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