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BeatBeat Whisper at The Starry Plough - review

BeatBeat WhisperThe execution of the house lights in The Starry Plough Pub were delayed, but eventually dimmed shakily once BeatBeat Whisper's first song was almost halfway over. I probably would have made the same mistake, not knowing whether or not they were still sound checking, but once the lights lowered, it was clear that the show had begun.

Brother and sister Ayla and Davyd Nereo are either so used to performing that it's become automatic, or could have possibly been feeling the effects of small-show jitters, which may explain the wall between them and the audience that took a little too long to dismantle. Though the bar murmur of glass clinking and cell phones ringing overlapped the vocals every now and then, the noise didn't lower the quality of the show.

The first song of their set was a slow melodic tune, telling a short story of innocence and mystery as the rest of the songs did, with a simple chorus of eye contact and whistling. My attention was won immediately, since I'm just a kind of girl that appreciates simple sounds used properly, which was a repeated theme with this band. At one point, Davyd was playing what looked like an electronic harmonium that was powerful enough, alone in its plainness, then he began tapping his thumb to the beat of the song and I could hardly stand how small and clever it was. Nothing was done absentmindedly, but they easily could have been, with each sound serving as a small gesture toward the completion of a message in each tune. The playing of the kalimba had a resemblance to raindrops, while the visually laughable bass drum and cymbal taken from a toy drum kit was sinister and monstrous in its effect, sounding like rolling thunder when joined with fuzzy muted drumsticks.

This shook me to the core, witnessing what had probably been the process of creating music while also growing up together. They were presenting it for everyone to see, which seemed extremely personal, honest, shameless, and proud. Even the feather hanging from the head of Davyds guitar was a sure sign in itself of the flawless natural beauty in the music they make. There was no attempt to spruce it up with difficult melodies, and though a wall was certainly present, pretentiousness was nowhere to be found.

Then came the mysterious Danny, a tall man who helped the set by playing keys and bass drum for two songs, accompanying the Cat Power-esque vocals. Together the brother and sister duo explored different sounds, some similar to the those of Coco Rosie, The Delgados, and others sounding more like Mates of State, minus the drums. The stories weaved from the loom of Alyas mind are gloriously sweet, childhood myths and memories of countryside days. During the fifth song, the band was blessed with the loud pop of a broken cord, taking the electric out and leaving only the acoustic to work with. This was exactly what they needed to break that annoying wall. They finally got around to introducing themselves! And their parents to boot!

I loved Alya and Davyds energy, and felt grateful to have been there for such a generous set. Nothing overwhelmed anything, and they were perfectly musically joined, and were such a divine honor to the notion of simplicity. It can be so much more powerful than expected. I'll be very upset if Beatbeat Whisper fails in gaining the recognition they deserve. Everything I witnessed was delicious, and a great slap in the mouth for naysayers of bay area folk music.

-Sara Lindsey

Published on Fri, 13 Jul 2007 14:36:50 500 Comments | Post a Comment


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Judgement Day
"Out of the Abyss"

mp3!!

“String Metal” is the term used to describe the unique sound of the Oakland-based band Judgement Day. The band is a trio made up of two brothers—one on violin and the other on cello—and a friend on drums. As they clarify on their first CD, their band has no guitars, yet sounds like the most hardcore heavy metal you have heard in a long time.
Their new 7” of live recordings titled Out of the Abyss: Live on Tape serves as a teaser for their upcoming sophomore release titled Peacocks/Pink Monsters. The first song of the 7” is a live version from their first full length album Dark Opus. A head-thrashing but also beautifully composed piece, it entices listeners with Judgement Day’s unique sound.
The band is made up of Lewis and Anton Patzner, Lewis being the younger of the two. Lewis graduated from the Peabody Conservatory of Music in Baltimore last year. Many may recognize Anton as the violinist for Bright Eyes, as well as fellow Saddle Creek electronica band The Faint. The Patzners were apparently spotted playing music on the street in front of the Great American Music Hall in SF by members of Saddle Creek punk rock band Cursive before their show in ‘04, which lead to these opportunities. When back with the band, the Patzners and their drummer, Jon Bush, toured with such indie favorites as Mates of State as well.
The second song on their new release features just Lewis on cello, in a song titled “Etude”, which is the French word meaning study, and refers to an instrumental musical composition, one that is very difficult and meant to be as practice material for improving a certain skill. Considering the band’s past with intellectual intensity, or what you could also call witty playfulness (such as the last track on Opus in which a Choir to sings some of the Book of Revelations in Latin—which Anton translated himself—with an incredibly melodramatic affect) this title seems only fitting, The song does seem as if it could be grueling to play, but sounds gorgeous.
And the last “Bonus” track gives a more clear hint as to what we should expect of their release later this year—the beginning sounds more dance-ready and wild then their typical dark material. But never fear—the dark depths to which Judgement Day always reaches is still there in this almost ten minute head-banger.
Considering that the band started off on the streets of Telegraph and San Francisco, and are talented enough to now be touring the world, you definitely want to take a minute to check these guys out. Or, if you are into zombies, at least watch their new video for their song “Out of the Abyss” where Anton is adorned in eye-liner and zombies get down to the sounds of this string metal trio. - website - Shauna C. Keddy

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SEPTEMBER
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