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REVIEW-Daniel Johnston Birthday Tribute Show

Daniel Johnston b-day tribute

It seems fitting to me that my first post here at The Deli would be about last night’s Daniel Johnston Birthday Tribute at The Knockout.My personal taste has never pulled me in the direction of folk, as a genre.Yet, Daniel Johnston has very rapidly become one of my, if not favorite, songwriters over the last year.I hesitate to call him the anti-Dylan, Dylan comparisons can be the kiss of death for almost any artist, but I will say that I find Johnston’s approach to songwriting to be one of the most unique and genuine I have ever heard.

The tribute/birthday party (complete with cupcakes and balloons) at The Knockout was varied, and definitely displayed Johnston’s work as a prolific and eclectic artist. The evening was hosted by Uni & Her Ukelele and showcased 19 bay area artists ranging from solo acoustic artists to two full band performances.

The evening started off with two songs from recently relocated solo Baltimore-ian, Thomas Grogan, who definitely set the tone for a variety of “freak folk” renditions of Johnston’s tunes.Personally, I feel “freak folk” is a spot on description of Johnston’s style. Major highlights included Old Hack’s rollicking version of “Don’t Play Cards With Satan”, The Cons very modern versions of the DJ classic “Walking The Cow” (this is a tune you have probably heard someone else do, my personal intro to Daniel Johnston was on a Pearl Jam bootleg tape with a “Walking The Cow” cover I had as a teen) and a Q&A sessions with Henry Rosenthal, producer of the Daniel Johnston documentary “The Devil and Daniel Johnston” (this is the place to start if you are interested in finding out what Daniel Johnston is all about).

Though I missed the end of the night, it was a school night and all, I got wind that the evening wrapped up with Uni performing “True Love Will Find You In The End”, a Johnston classic.I have heard Uni play and I know the tune well, it is a real heartbreaker, I am sure it was beautiful and I regret missing it.

If you are looking for a place to get into Johnston’s music I recommend starting here:The Late Great Daniel Johnston: Discovered Covered. The songs themselves are more accessible, as covers, than Johnston’s original recordings as a starting point.Though I think Old Hack summed it up last night when he said, “…his [Johnston’s] music reminds you of what it was like to be 14 and writing songs for the first time."Johnston just managed to retain, rather than refine, that sound.

-Phil Matarese

Published on Wed, 23 Jan 2008 17:39:59 0 Comments | Post a Comment


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Judgement Day
"Out of the Abyss"

mp3!!

“String Metal” is the term used to describe the unique sound of the Oakland-based band Judgement Day. The band is a trio made up of two brothers—one on violin and the other on cello—and a friend on drums. As they clarify on their first CD, their band has no guitars, yet sounds like the most hardcore heavy metal you have heard in a long time.
Their new 7” of live recordings titled Out of the Abyss: Live on Tape serves as a teaser for their upcoming sophomore release titled Peacocks/Pink Monsters. The first song of the 7” is a live version from their first full length album Dark Opus. A head-thrashing but also beautifully composed piece, it entices listeners with Judgement Day’s unique sound.
The band is made up of Lewis and Anton Patzner, Lewis being the younger of the two. Lewis graduated from the Peabody Conservatory of Music in Baltimore last year. Many may recognize Anton as the violinist for Bright Eyes, as well as fellow Saddle Creek electronica band The Faint. The Patzners were apparently spotted playing music on the street in front of the Great American Music Hall in SF by members of Saddle Creek punk rock band Cursive before their show in ‘04, which lead to these opportunities. When back with the band, the Patzners and their drummer, Jon Bush, toured with such indie favorites as Mates of State as well.
The second song on their new release features just Lewis on cello, in a song titled “Etude”, which is the French word meaning study, and refers to an instrumental musical composition, one that is very difficult and meant to be as practice material for improving a certain skill. Considering the band’s past with intellectual intensity, or what you could also call witty playfulness (such as the last track on Opus in which a Choir to sings some of the Book of Revelations in Latin—which Anton translated himself—with an incredibly melodramatic affect) this title seems only fitting, The song does seem as if it could be grueling to play, but sounds gorgeous.
And the last “Bonus” track gives a more clear hint as to what we should expect of their release later this year—the beginning sounds more dance-ready and wild then their typical dark material. But never fear—the dark depths to which Judgement Day always reaches is still there in this almost ten minute head-banger.
Considering that the band started off on the streets of Telegraph and San Francisco, and are talented enough to now be touring the world, you definitely want to take a minute to check these guys out. Or, if you are into zombies, at least watch their new video for their song “Out of the Abyss” where Anton is adorned in eye-liner and zombies get down to the sounds of this string metal trio. - website - Shauna C. Keddy

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